This room did not exist yet.
Your drawings. Your materials.
Correct light. Correct materials.
High-end visualisation built from your drawings.
A great design deserves an equally great image.
Your render is the first time a client sees the space as real. It should carry the same quality, detail and intention as the design itself.
A visualisation of a financial workplace in Canary Wharf, developed from the scheme's drawings and material palette. The brief called for a set of hero interior stills with a photographic quality. Correct light, considered materials, nothing invented.
A full workplace fit-out visualised across reception, breakout and desking areas. Each image was individually composed and lit so the set reads as a coherent architectural photoshoot rather than a rendered walkthrough.
Interior visualisation for an advertising technology office on Charing Cross Road, developed from architectural drawings to give the design team accurate stills ahead of fit-out, used to test material and lighting decisions before they were built.
Hospitality-led visualisation for a sports venue in London, capturing a series of guest-facing spaces with the warmth and detail of a hospitality photoshoot. Materials, ambient lighting and spatial character were carefully developed to communicate the design before fit-out.
An ongoing workplace scheme visualised across three successive design-development stages. Rather than a single final hero set, the project demonstrates how visualisation supports the design process, testing layout, materials and lighting as the scheme evolves.
A set of workplace interior visualisations for Revantage's Bond Street premises, created for both internal design sign-off and external marketing ahead of completion.
Office interior visualisations for Sapiens, covering the scheme's principal workspace and collaboration areas. Each image was developed from the architect's drawings and finishes schedule to accurately represent the final design.
Flagship retail visualisations for Sephora, developed with a strong focus on product display, lighting and material detail. The imagery was created to communicate and validate the store concept ahead of rollout.
Workplace interior visualisations for Sumitomo, covering meeting, breakout and desking areas. The imagery was developed to support the design process, providing a photoreal reference for material and lighting decisions ahead of fit-out.
Office interior visualisations for Travelport, covering a range of workspace and collaboration areas. The imagery was developed to marketing-ready quality, designed to sit seamlessly alongside photography of the completed space.
A full workplace fit-out visualised across reception, breakout and desking areas. Each image was individually composed and lit so the set reads as a coherent architectural photoshoot rather than a rendered walkthrough.
A contemporary workplace visualised with a warm, welcoming atmosphere, combining natural timber, soft textures and abundant greenery. Large windows flood the space with daylight, while sculptural pendant lighting and carefully composed details create a relaxed, hospitality-inspired environment for collaboration and informal meetings.
Nothing goes into finished materials until you have signed off the geometry. Three rounds of markups are part of the plan, not favours.
Share the GA and camera positions to ensure an accurate project setup.
We'll share the white card shortly for your review. Geometry, camera and light only, so if the model is wrong you find out now, not on site.
Share your initial markup, highlighting materials, furniture, and key design elements.
Review and project refinements.
Share your third markup to finalise the project.
Applying final corrections and post-production to prepare the renders for client delivery.
That is the whole point of the white card. Geometry and camera positions are signed off before materials are applied, and every material comes from your schedule.
Tell us the date from the start. If we cannot deliver the work properly within that timeframe, we will tell you on day one, not three days before the deadline.
Three rounds of mark-ups are built into the process as standard. They are part of the process, not extras.
Your GA and preferred camera positions. A material schedule, if available. That is enough for us to begin.
Either. We can work from your existing 3D model or build from drawings. Many of the projects shown here started from drawings.
Tell us the scheme, the sector and the date you need it by. You will get a straight answer about whether it can be done properly in the time.